Bruno Gallery is about to current “Past the Seen”, a Kinetic Artwork exhibition working from 5 to 31 March 2026 in Singapore. The exhibition brings collectively 97-year-old Yaacov Agam and modern artist Patrick Rubinstein, tracing the evolution of kinetic artwork and movement-based artwork throughout generations. Agam has been energetic for the reason that postwar interval and is usually related to the event of kinetic and optical artwork within the second half of the 20th century.
That includes 50 work and sculptures priced from SGD 5,000 to over SGD 1 million, the exhibition explores the shift from static remark to dynamic engagement. Collectively, Agam’s explorations of notion and Rubinstein’s daring, multi-view compositions provide a compelling dialogue on how movement continues to redefine the best way audiences expertise artwork. Works within the exhibition span work, reliefs and sculptural items that incorporate optical results, shifting views and bodily or perceived motion as a part of the viewing expertise.
Agam is related to the event of kinetic artwork, a motion that includes bodily or optical motion into visible artworks. His works typically change relying on the viewer’s angle or place. Items by Agam are held within the collections of establishments together with the Museum of Trendy Artwork, Centre Pompidou and the Solomon R. Guggenheim Museum. He’s additionally recognized for growing the “Agamograph”, a lenticular method that produces a number of photographs relying on the viewer’s motion. Rubinstein’s work explores comparable visible rules by means of layered compositions that create shifting imagery when seen from completely different views.
Born in Paris in 1960, Rubinstein is related to Op Artwork and kinetic practices that mix optical results with figurative imagery, typically utilizing layered panels and reflective supplies to provide altering visible outcomes as viewers transfer across the work. Rubinstein’s observe often incorporates themes drawn from widespread tradition, geometric abstraction and symbolic imagery, whereas a few of his latest works utilise supplies comparable to gold leaf to boost reflective and optical results inside kinetic compositions.
A number of of Rubinstein’s works make use of reflective surfaces and treasured supplies, together with compositions completed with 22-carat gold leaf that intensify the shifting optical results produced by the layered constructions. His sequence often explores recurring motifs comparable to butterflies, geometric patterns and interlacing traces, themes that reference motion and visible notion.
Whereas the exhibition highlights developments inside kinetic artwork, it must also be famous that the cultural and political contexts surrounding artists and establishments stay a part of broader international conversations. Views represented by taking part artists don’t essentially replicate these of all audiences or observers partaking with the exhibition.
Operating from 5 to 31 March 2026, the exhibition takes place at Bruno Gallery Singapore, positioned at 91 Tanglin Highway, Singapore 247918. Admission is free.
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