Nice design has no expiration date. It’s a precept confirmed not by a season’s recognition, however by the passing of generations. It may come within the type of a lamp that also defines a room after fifty years, a chair that continues to be in manufacturing for a century and a constructing that has turn into the soul of a metropolis. LUXUO profiles the visionary veterans behind these lasting legacies, exploring the philosophy and pressure of will required to create for the ages.
Fontana Arte
The story of FontanaArte begins with a door, not a lamp. Gio Ponti — an architect — was commissioned in 1932 to design the primary entrance to Milan’s Palazzo dell’Info. He envisioned glass as an inventive medium, not only a useful materials. To satisfy this objective, he based his personal workshop, which later advanced into the model we all know immediately.
This was not a departure from structure, however relatively an growth of it. Ponti approached objects with the rigour of an architect, viewing gentle as an integral part of area. The corporate swiftly transitioned from architectural glazing to producing sensible furnishings that mixed accuracy and poetry.


“Giova” lamp designed by Gae Aulenti for Fontana Arte. Picture: Fontana Arte. (left)
Gio Ponti. Picture: Fontana Arte. (proper)
This perspective is brilliantly exemplified by two of its most iconic creations. Gae Aulenti’s “Giova” desk lamp — designed within the Seventies — is an ideal instance of geometric simplicity. The easy composition of a cylinder, a sphere and a disk feels each timeless and present. Equally, the “0024” ceiling gentle — designed by Ponti and Pietro Chiesa — remodeled the chandelier. It’s a enormous, flattened sphere of satin-finished glass that emits diffuse, ambient gentle that’s each pretty and utterly helpful. This stuff — distributed by Made & Make — are extra than simply lights; they’re small works of structure that proceed to outline rooms with their silent authority.
Oluce’s Mild Fixtures

Oluce is Italy’s oldest constantly working lighting design agency. Based in 1945, its story is intertwined with the material of postwar Italian design, demonstrating a priority for kind and mental rigour. Collaborations with influential personalities helped to form the model’s identification. Within the Nineteen Fifties, architect Bruno Munari established a precedent together with his conceptual, virtually architectural strategy to gentle. This created a tradition wherein a lamp was greater than only a fixture; it was an merchandise of considerate design.


The “Acrilica” lamp designed by Joe Colombo for Oluce. Picture: Oluce. (left)
The mini “Coupe” lamp debuted at Milan Design Week 2025. Picture: Oluce. (proper)
Vico Magistretti’s 1977 design of the “Atollo” lamp exemplified this perspective. Atollo — with its clear, geometric composition of a cylinder, cone and hemisphere — grew to become the template for the summary desk lamp. It’s a research of important types. Magistretti had already influenced the model’s route with designs such because the Sonora, a lamp fabricated from opal glass that solid a mellow, spreading illumination.
One other notable piece is Joe Colombo’s Academy, a dynamic illumination system from 1979. Its exact, technical design demonstrated Oluce’s devotion to innovation and performance. These items are landmarks within the historical past of lighting design.
British Design Icon Kelly Hoppen

For greater than 4 many years, the identify Kelly Hoppen has represented a singular, unshakable imaginative and prescient in inside design. Her profession — which started within the Seventies — has matured into a regular for a selected sort of disciplined luxurious. She is a principle-establishing artist relatively than a trend-follower, and her work exemplifies a timeless aesthetic.


A UK residence designed by Kelly Hoppen. Picture: Kelly Hoppen. (left)
Lux Grand Baie lodge in Mauritius designed by Kelly Hoppen. Picture: Kelly Hoppen (proper)
Her distinctive model — a refined mix of Jap sensitivity and Western modernism — is characterised by impartial tones. That is greater than only a fondness for beige and taupe; it’s a researched philosophy that values texture, stability and tranquillity. She expertly blends clear traces with wealthy, tactile supplies, leading to locations which are each organised and emotionally stress-free.
This fixed, assured strategy has received her an unparalleled popularity. From London flats to world developments, her model brings the burden of expertise and the promise of flawless execution. Hoppen’s model has been recognised with an MBE and CBE for her accomplishments and it’s now a part of the design neighborhood. She represents a stylistic legacy that endures exactly as a result of it rejects the ephemeral in favour of the basic.
American Design Savant Kelly Wearstler

Kelly Wearstler has been a defining determine in American inside design for greater than 20 years. Her profession started within the Nineteen Nineties, when she acquired widespread recognition for her revolutionary work on the Viceroy lodge in Santa Monica. This venture laid the groundwork for what would turn into her distinctive aesthetic — a daring, trendy tackle magnificence.
Her model is thought for its daring eclecticism and inventive layering. She expertly blends time intervals, combining classic findings with custom-designed furnishings and startling natural accents. Her properties usually are not minimalist; they’re fastidiously managed experiences with dramatic types, wealthy textures and a dynamic use of color and sample. This strategy extends to her product creations, which embody furnishings, lighting and ornamental items that mirror her distinctive perspective.


A residence in Lupine, United States, designed by Kelly Wearstler. Picture: Kelly Wearstler. (left)
A Santa Monica Correct lodge designed by Kelly Wearstler. Picture: Kelly Wearstler. (proper)
Wearstler’s attain has expanded past personal commissions to a worldwide viewers. She has established a good model recognized for mental and inventive rigour. Her work is routinely included in main worldwide design periodicals, solidifying her popularity as a seasoned skilled with a definite and timeless imaginative and prescient. Her profession is consistently evolving, pushing the frontiers of residential and hospitality design.
Swan & McLaren Are Proudly Singaporean

Swan & McLaren architects have been altering Singapore’s constructed setting since 1892. Its founding predates the nation’s present skyline and its historical past is inextricably linked to the town’s transformation from a colonial outpost to a worldwide metropolis. The agency’s longevity demonstrates its capacity to adapt whereas preserving a fundamental architectural self-discipline.
Its early work options notable colonial-era landmarks. The agency designed the Istana — Singapore’s president’s official residence — in addition to the earlier Supreme Courtroom constructing, each of which have left lasting civic legacies. These constructions demonstrated a mastery of the dominant Neoclassical and Palladian kinds, executed with formal precision.


Eugene Wong, Matthew Hon and Lim Chai Boon, group administrators of Swan & Maclaren.
Picture: Kelvin Chia. (left)
Goodwood Park Resort was additionally designed by Swan & McLaren. Picture: Swan & McLaren. (proper)
As Singapore progressed, the agency’s portfolio expanded to incorporate business, residential and institutional initiatives. This development demonstrates adaptation to evolving city necessities whereas sustaining the basic ideas of dimension, context and materials integrity. The observe’s ongoing operation for greater than a century — regardless of huge stylistic and technological shifts — qualifies it as an trade veteran. Its portfolio of labor serves as a bodily report of the nation’s architectural previous, making certain its popularity as a recognised and enduring establishment. Immediately, its legacy is greater than only a historic report; its buildings proceed to serve and outline the neighborhood.
A Time-Honoured Structure Agency

Skidmore, Owings and Merrill (SOM) — based in 1936 — laid the groundwork for immediately’s architectural and engineering corporations. Its built-in strategy — which introduced collectively architects, engineers and technological specialists beneath one roof — established a brand new mannequin for finishing large-scale, advanced initiatives. This collaborative methodology has guided its observe for practically 9 many years.
SOM is finest recognized for pioneering the Worldwide Model and the fashionable skyscraper. Its early postwar initiatives — such because the Lever Home in New York — revolutionised the company tower with a modern glass and metal curtain wall. This was adopted by the Inland Metal Constructing, an modern construction that includes service cores which are separated to create column-free workplace ranges. The Sears Tower in Chicago — the agency’s most famous achievement of the period — stood because the world’s tallest skyscraper for 25 years.


The upcoming Aman Singapore will likely be housed within the metropolis’s tallest skyscraper. Picture: Skidmore, Owings, and Merrill. (left)
Louis Skidmore (1897), Nathaniel A. Owings (1896), and John O. Merrill (1896). Picture: Skidmore, Owings, and Merrill (proper)
The observe’s custom of technical innovation continued with buildings such because the John Hancock Centre, which pioneered the bundled tube structural system. Within the twenty-first century, SOM has continued to alter skylines with constructions that reply up to date issues about sustainability and office design. One World Commerce Centre exemplifies this ongoing dedication, symbolising resilience whereas incorporating cutting-edge environmental and security options.
SOM has constantly operated on a grand scale, with a portfolio that features airports, tutorial buildings and grasp plans. Its ongoing impact is predicated on a steady, rigorous strategy to downside decision relatively than a single attribute model. The agency’s work reveals a profound understanding of construction, materiality and concrete context, solidifying its place as a cornerstone of world structure.
The Italian Design Legacy of Cassina

Cassina — based in 1927 in Meda — has turn into a cornerstone of recent furnishings design. The corporate’s identification is based on two pillars — a robust appreciation for artisanal craftsmanship in carpentry and a forward-thinking dedication to industrial innovation. This equilibrium has guided its strategy for practically a century.
The disclosing of the Cassina I Maestri assortment in 1964 was a watershed second within the firm’s historical past. This monumental effort noticed the enterprise reissue works by Twentieth-century architectural luminaries, together with Le Corbusier, Pierre Jeanneret and Charlotte Perriand. Cassina positioned itself not solely as a maker but in addition as a keeper of design historical past by faithfully reviving outdated concepts for manufacturing.

This curatorial mentality extends to present collaborations. To keep up its place on the forefront of the trade, the model has always commissioned prime designers, exploring their distinct voices. For many years, inventive director Piero Lissoni has influenced the model’s aesthetic orientation. On the identical time, high-profile collaborations with people reminiscent of Philippe Starck have produced trendy icons just like the daring and sculptural LC outside sofas.
These collaborations are based mostly on Cassina’s superior manufacturing capabilities and painstaking consideration to materiality. Distributed by W. Atelier, the model’s popularity is constructed on its capacity to remodel a designer’s idea right into a flawlessly executed object. Cassina has maintained its place as a famend and authoritative voice within the world design panorama by combining the legacy of the previous with the originality of the current.
Philippe Starck, The Raving Genius

He wanders by the place not as a visitor, however as a surgeon inspecting an working theatre. That is Philippe Starck. For nearly 4 many years, his identify has been a quiet fixed within the design language, a veteran whose work in furnishings, lighting and interiors has influenced how we reside.
His profession is predicated on a notion of “democratic design,” relatively than traits. He as soon as questioned why an honest chair needs to be a luxurious, which led to iconic, mass-produced gadgets that made clever design accessible to the plenty, relatively than the elite. His work features a assortment of recent classics, such because the Louis Ghost chair, a clear reinterpretation of baroque extravagance; the Juicy Salif lemon squeezer for Alessi, which is each a sculptural dialog piece and a useful kitchen equipment; and the Gun gentle, a stark, confrontational assertion.


The “juicy Salif” lemon press designed by Philippe Starck for Alessi. Picture: Alessi. (left)
Ghost chairs designed by Philippe Starck. Picture: Kartell. (proper)
Starck’s strategy may be very human-centred. He reduces gadgets to their basic fact, their “purpose to be.” The result is a corpus of labor that feels each predictable and surprising. He creates resorts that resemble residing organisms, residences that function sanctuaries and commonplace objects with a serene intelligence. There is no such thing as a gloss, simply operate turned lovely. His profession has been devoted to arguing that good design is an ethical necessity — an obligation to enhance the each day lives of individuals, relatively than an aesthetic luxurious. He’s an environmental writer, not a stylist.
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